Make something
worth keeping.
Most things in your home were made by a machine, at speed, for volume. This is something else.
Not a craft class.
A different way
of thinking about objects.
Most things in your home were made by a machine, at speed, for volume. You didn't choose how they were made — only whether to buy them. The Greyinklab workshop is built around the opposite of that: a half-day of making one object, slowly, from a material that doesn't lie about what it is.
You'll leave with something imperfect, heavy, and yours. And a different sense of what it actually takes to make something worth keeping.
That is the point of it — not the object you leave with, but the shift in how you see the objects you already live with.
"Concrete doesn't pretend to be anything it isn't. That's the first thing you learn when you work with it."
Two ways to
go deeper.
Work with
the material.
Build something real.
Hands-on sessions led by Mohit Vijh — the same person who makes every Greyinklab object. You'll build over a mesh armature, apply concrete by hand, work the surface through to a finish. Small groups, unhurried. The plan is to start intimate — a few sessions, see what the format wants to be before it's formalised.
Workshops will be held in partnership with select venues in Delhi. Dates to be announced.
The practice,
documented.
For you to keep.
A series of written and photographed guides on working with concrete — material properties, surface techniques, the thinking behind the sculptural pieces. Not a course with modules. More like a record of how things are actually done in the studio, made available for anyone who wants to go further than just owning an object.
The first guide will be released alongside the first workshop. Sign up below to be notified.
The same hands
that make
the objects.
The workshops are led by Mohit Vijh — founder of Greyinklab and the person who builds every piece in the collection. Not a facilitator hired for the format. The person who actually knows what the material does when it's cold, when it's rushed, when it's given time.
That specificity is the whole point. You're not learning a technique from a generalist. You're learning a practice from someone who has built that practice over years, and who thinks about objects the same way after a decade as he did at the beginning — slowly, with attention, from material that earns its place.
Be the
first to know.
No newsletters about nothing. One email when a workshop date is confirmed or a guide is ready. That's it.